![]() ![]() Because of the interface and playability I think I may use this library first to get the real work of the song done and then supplement with other libraries if I needed to. It is ideal for a wide range of modern and cinematic scoring projects. STRING ENSEMBLE has a tight, bold, and natural sound, with advanced performance controls for nuance and clarity. A 60-piece string section recorded at Studio 22, Budapest. I bought this and the recent NI Symphony Brass and both highly exceeded my expectations if I’m being quite candid. NI Symphony Series String Ensemble v1.4.2 Kontakt Library 31.7 GB. I’ve had the occasional stuck note but thinking it may be due to an initial release bug.or a bad sustain pedal. Still good mind you and I don’t dislike the sound but I would have to give Spitfire the edge in sound/aura.Ģ. If I were to compare the sound to Spitfire, Spitfire has that "Artsy Vibe Oh Wow Sound" down where this is different, a bit hard to describe and does not have as much depth. Divisi while holding sustain pedal and switching chords works really well.ġ. Feels like you can control the sound well under your hands when recording and when you play it back it does not play something else back and out of time.ħ. It feels like when you mix with the mics it’s actually doing something with even tiny moves of the sliders.ĥ. Less clicking more playing and creating.ģ. You just don’t feel so overwhelmed with articulations and menus when trying to be creative. ![]() ![]() The interface and getting around is excellent and makes it very fast and intuitive to work with. Not the same thing for sure for those concerned about that.Ģ. I feel like it plays a bit better than LASS and it definitely sounds and feels different than LASS. I like this library a lot! and I have all of the string libraries out there. ![]()
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